Cyndi Lauper Recalls Performing Inside a Trash Can

October 27, 2026

Cyndi Lauper takes pride in the singularity of her live performances.

The 73-year-old performer is famed for her unconventional stage acts, and she recalled a standout rendition of Money Changes Everything, her 1983 hit, performed in Houston during the mid-1980s.

In an interview with People, Lauper recalled: “I remember that I was going to play an arena and they just built the arena in Houston, which they’ve torn down since.” But I was so excited that we were playing the arena and we were going to shoot the video live, and I was so happy and excited.

Cyndi had a vivid concept for the performance’s look, yet budget constraints posed a challenge.

The singer — renowned for her eccentric outfits and bright hair — said: “This wonderful director and teacher, Pat Birch, who was teaching me all about performance art because I love performance art. And I had my heart set on a cherry picker to go over the audience, but they said I couldn’t afford that. And basically, all I could afford was a garbage can, which made me cry a little bit because I didn’t want to be Oscar the Grouch.”

Additionally, I had a friend, Lisa Yap, that I used to work with. I met her through an interview when I was in Blue Angel and she interviewed people out of a garbage can. And I did not want to be like her, because I always liked to keep my lanes clear.

But when they said I couldn’t afford anything, I took the garbage can and I said, “Well, does it fly?”

Cyndi ultimately passed over the audience using a pulley system. However, she was ignorant about the legal ramifications of performing such a daring stunt.

She said: “I was really ignorant because it didn’t occur to me when the lawyer came in, my lawyer, and made me sign a will before I did that show.”

But I go up in the garbage can, I’m above the crowd and I start shaking. And all of a sudden, the garbage can goes right back to the stage immediately almost.

Clara Weiss

I write about music as a cultural signal, following the artists, scenes, releases, and movements that shape how people listen today. My work focuses on discovery, context, and the stories behind the sounds that travel beyond borders.